Hello, friends,
I’d like to make a contribution on the topic of stamps and leather.
I work with leather occasionally. Stamping leather is a fairly old, if not archaic, technique. If you have a laser (for working with leather, I recommend a two-diode laser, at least 10 W total), in addition to cutting the pieces of your project, you can engrave all kinds of images into the leather.
Leather is a fairly diverse material in terms of behavior, as it can come from different animals with different characteristics. There are also different tanning techniques (chrome, vegetable, and smoked), but the main characteristic to consider when printing images on it is moisture. Very dry leather is not ideal for making leather goods, as it will crack, break, and damage the leather item (wallet, belt, jacket, purse, etc.). To make leather goods, the leather must have a certain moisture content, which can vary between 10% and 25%, and which requires maintenance with products that nourish the leather (horse grease, for example; there are also other more technical and specific products depending on the type of tanning and leather) if we want the leather item to last. Therefore, the images we engrave on the leather must be done with low laser light intensity. They must be light scratches, just enough so that the images are visible and do not break the leather due to overdrying it with the laser light.
Humidity is an obstacle to printing images on leather and limits grayscale. Although not all projects require grayscale (for example, text and spot colors in general, although with a laser, we can only use a single spot color), there is software like LightBurn that has tools to convert grayscale images into engravings. Grayscale is imitated with an artistic technique called “Pointillism.” (It’s an artistic movement based on making dots on paper or canvas, primarily of a single color. The more dots are close together, the darker a shadow appears, and the greater the distance between them, the lighter the shadow will be.) This engraving technique helps overcome the difficulty of creating grayscale images with the leather’s humidity.
The only drawback to working with leather with a laser is the unpleasant odor, but we can minimize it by using lasers encapsulated in boxes, with smoke extraction systems to extract the smoke to the outside, or even passing it through a carbon filter first.
In short, it’s much cheaper and offers many more creative possibilities to engrave leather with a laser rather than using stamps.