You need to pick the lens based on what kind of work you are doing.
Just like a camera lens, it has the same properties as all other lenses. Quality of the lens can mater, but there is a lot of setup that goes along with a well operating machine and a simple optical path change.
The lens is what makes these actually able to do work.
You should consider depth of focus (dof) and spot size. There are on-line calculators to give you a good estimate of what you can do with a lens.
I got most of this data from the tubes manufacturer, but it can be had in other ways. I don’t know how you’d measure beam quality ( M²) without a rather expensive machine. These are three screenshots of the calculator I use. The difference on the input is only lens length. Note the output.
Generally when cutting thicker materials you want a lens that will maintain the spot size throughout the area you need to engrave/cut. Left is a compound lens, making the smallest spot size of 968 microns (0.968mm), however it’s dof is only 922 microns, or less than 1mm.
You can pick the highest possible dof or the smallest spot, but they go opposite ways. Can’t have a small spot with a long lens.
With a 2" (50.8mm) I get a spot size of about 129 microns but a dof of over 1.5mm. I use my 7" (101.6mm) for cutting thicker material, such as 5mm sub flooring, as it has a 6.5mm dof. You have to focus at the midpoint of the material to use the entire dof. If you measure to top of material 1/2 of your dof is lost or wasted.
Does any of this make any sense?
If you have a watt meter, then it might be worth upgrading to more expensive mirror/lens combination. I agree with @bernd.dk that it’s lower cost and makes more of a different if the machine is properly set up before messing with the optics directly. Without a watt meter you can’t really tell what’s what.
On my fiber, when doing rocks, the surface is rarely flat. Using my longest lens F420mm gives me more dof to make up for irregular suffices.
Any questions, sing out.
